Archive for the ‘1964’ Category

Whatever you do, pursue it with passion because hard work pays off and success comes dressed in work clothes.

With this post, we salute the one member of our band who actually “made it” in the record business–Keith Follese. And, it’s quite a story. Keith (keyboards) was in the original group with Scott Jeffy (bass), Louie Lenz (rhythm guitar) and Jerry Lenz (drums). In an earlier post we described the groups beginning as the Wailing Phantoms and renamed shortly thereafter, The Inchanters.

It was October, 1964 when the group began. Louie and Scott were in high school while Jerry and Keith were in junior high school. The Follese and Lenz homes were in the same neighborhood and Keith and Jerry rode the bus home together with one thing in mind—practice, practice, practice. It was just keyboards and drums, song after song and the two boys had long talks about their music goals.

Keith and Jerry would look forward to Saturdays for practice and most often a bus trip to downtown Minneapolis. They would attend Dayton’s Top Ten Club (Dayton’s was the premier department store in the Twin Cities). The Top Ten Club featured a top local band, like the Gregory Dee & The Avanti’s or the Underbeats. National bands also played on special occasion. The boys saw the Yardbirds performance as well as The Paul Butterfield Blues Band.

Keith and Adrienne Follese

On the downtown trips they visited every music store like Schmidt’s Music and Dahlgren Drum Shop plus Musicland record shop as well as checking out the expensive clothes at Dayton’s “Mod Shop” (It was an English-looking boutique inside the store, appealing to teens).

Bands are kind of like first girlfriends because a breakup is usually in the cards. Keith stayed with the Inchanters for about two years and decided it was time to start his own group with a different direction. He and fellow classmates formed a group named, The Knics. Marsh Edelstein of Marsh Productions would rename the group, The Youngsters.

Keith’s new group continued for a couple of years and then disbanded as members were going in separate directions. Keith continued to play in bands and clubs and formed a very good band called Fresno. During this time, Keith and Jerry remained friends.

Around 1970 most bands were breaking up and it had a lot to do with the Viet Nam war, the end of student deferments and maturing baby boomers who were getting married and entering the corporate marketplace. Jerry’s family business was jewelry and having that background led him to the Carlson Companies when they ventured into catalog showrooms. Working at Carlson paid off for Jerry as he met an executive who would later hire him at K-Tel International (yes, “that” K-tel”) where Jerry became a sales and marketing executive.

The K-tel background is important because Jerry met another lifelong friend, Bill Isaacs. Bill was in charge of K-tel’s music publishing. He secured the hits, working with the music labels and publishing companies that wanted the marketing muscle of a K-tel release to further promote their artists.

In about 1976, Keith relocated to Los Angeles to pursue his music career. Instead of trying to make a living playing in clubs and doing the “band” thing, Keith sold air conditioning for a San Fernando Valley company. There was more money in a real job and his free time gave him the opportunity to write songs. Jerry visited Keith on vacation in 1978 and they had fun visiting the clubs and attractions around LA. Jerry was impressed with Keith’s material and stayed in touch with him as Jerry grew in his responsibilities at K-tel.

In 1981 Bill Isaacs and Jerry Lenz decided to form a partnership to secure recording contracts for talented bands. The first signed group was Power, a talented R&B act that performed much like the Temptations. Great vocals and excellent dance moves on stage. Bill and Jerry negotiated a recording contract for Power with Malaco Records (Jackson,Mississippi). The group had a series of hits on the R&B charts and released a self-titled album that did well. (Power’s music is available on i-tunes and other online music sites.)

At the same time, Bill and Jerry focused on Follese. Keith met and married Adrienne, another singer/songwriter and they pursued their dream together. Adrienne was a dental assistant and the couple never played gigs. Instead they did an excellent work at their “day jobs” and pursued the songwriting and recording at home. Keith converted their home’s garage and built a recording studio.

Bill’s excellent contacts paid off. Keith and Adrienne were signed to Arista Publishing. With a major publisher, the next step was securing a major label and producer to take Follese (what the act was called) to the next level. Music business success Danny Goldberg liked Follese and signed them to his newly formed label, Gold Mountain Records. Michael Lloyd was contracted to produce Follese. Michael is well-known for huge recording hits such as Debbie Boone’s You Light Up My Life. You can learn more about Michael here: This all happened in 1982

The Follese album caught on in Japan, but the American market never opened its tight doors to let the talented husband and wife team in. It’s hard to keep knocking on doors after you’ve already had a major publisher, record company and producer in your corner and no sales success.

Jerry and Bill were both living in LA—Bill was still with K-tel and Jerry had joined a spin-off record company, JCI. Keith kept selling “coolers” and Adrienne continued her dental assistant career.

Fast-forward to 1987. Bill Isaacs accepted a new publishing position in Nashville and relocated there. Bill and Jerry would talk and the subject of Follese came up. Bill suggested that Jerry talk to Keith and Adrienne about visiting Nashville and testing the country waters. At first the couple was reluctant. Country? It didn’t seem like the right step but they took a leap of faith and visited Nashville. They fell in love with the song-loving, song-writing, music promoting Music City. They decided to make the move, find work (AC sales and dental assistant) and begin down country roads.

Success was not instantaneous, but it did show up after years of wearing work clothes. Keith and Adrienne have become premier country writers and more. A string of HUGE hits and years of success. Learn more here. Search Google to learn more about Keith and Adrienne as there are pages and pages to view.

The Nickel Revolution’s salute to Follese would not be complete without a mention of Keith and Adrienne’s rock and roll success—their sons!

Hot Chelle Rae is mom and dad’s greatest hit. Ryan Follese fronts the group on guitar and Jamie Follese handles the foundation playing drums. Learn more about the group, their hits and tours here.

It’s always great to know that even with life’s twists and turns, you never know where you can end up in the music business if you’re ready to show up—in work clothes.

We welcome your comments and feedback on this blog. You can post here and share this with your friends via Facebook and Twitter (see easy links). If you want to email us any questions or comments:

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See these great websites for further insights to Twin Cities bands from the 50s, 60s, 70s:

© 2011 © 2012 Jerry Lenz, Lenz Entertainment Group All Rights Reserved


 1964 ushered in The Beatles and their explosion on the American music scene. It also brought about the garage band movement as many fans were not content with just listening to rock—they wanted to begin their own band. And, so it was for the founding members of what would become The Nickel Revolution.


Louie Lenz got a guitar. It was a cheap import guitar from Musicland which was the forerunner of today’s Best Buy. Louie also bought a Sears Silvertone amp (very collectable if you have one today). Jerry Lenz begged mom and dad to front him the money for a used set of Apollo drums from Schmidt Music. Price tag: $100 (in today’s dollars that is over $700).

It was time to find others that had an interest in forming a band. Keith Follese, a neighborhood friend, joined to play keyboards. Keith’s family had a beautiful Hammond organ, but it was not portable. So, Keith used the Lenz family’s Lowery organ and the band practice in the Lenz living room. It is important to note that our parents were VERY supportive.

Next, Louie recruited Scott Jeffy from school and we had our first four piece band with an interesting twist. Scott had also purchased a cheap Musicland guitar and we had no bass guitar. Scott quickly moved to get a bass guitar to balance out the group.


When we started, Louie was sixteen-years-old, Scott was fifteen, Jerry was fourteen, and the baby of the group was Keith at thirteen. Very fitting as Keith would break off from the band and form his own group with younger classmates and call his band The Youngsters.

The very first name of the group was The Wailing Phantoms (perhaps one of today’s garage bands will want to grab that name). We only played our very first gig (for free) as The Wailing Phantoms. Louie and Jerry’s dad was a member of the VFW on Lyndale and Lake in Minneapolis and he suggested that the band play at the annual Children’s Christmas Party the VFW hosted for the local neighborhood kids. They had a lot of entertainment and gifts for the kids. Starring on the bill was Axel. Axel was a local television and radio superstar. He was so popular that his photos, recordings and fans can be found online today.

It is interesting to note that The Wailing Phantoms only knew three songs for that first gig and included their version of Jingle Bells, so there would be a little Christmas flavor in their repertoire. The band’s main song was The Grind, by local stars, Gregory Dee and The Avanti’s. Louie, Jerry, Scott and Keith would go to see the Avanti’s play clubs every chance they had as they had a connection to the band. The bass player of the Avanti’s, Frank Prout (stage name Frank Thomas) worked part time in the Lenz Jewelry store and Frank was very helpful in helping the young band get their start.

With only a month or two as The Wailing Phantoms, the group searched for a different name. The Inchanters was the choice—a creative spelling of Enchanters to mean the band was “in” or cool (please stop laughing as you read this). Much like the Beatles put “beat” in beetles.

The band would continue playing together for at least two years and joined the union. Bands at that time could not play in bigger clubs and venues without being members of the American Federation of Musicians. We not only had our union cards, we were accepted in to the Central Booking Agency with Dick Shapiro and Bill Diehl (Bill was also a big radio personality with WDGY).


There will be time for more early stories in future blogs. If you have questions, or want information about The Nickel Revolution’s Reunion(September 2012), email us:



We welcome your comments and feedback on this blog. You can post here and share this with your friends via Facebook and Twitter (see easy links). If you want to email us any questions or comments:  

Listen to The Nickel Revolution now on You Tube

Link for Sweet, Sweet Lovin’: Sweet, Sweet Lovin’

Link for Treat Her Right: Treat Her Right

See these great websites for further insights to Twin Cities bands from the 50s, 60s, 70s:

© 2011 © 2012 Jerry Lenz, Lenz Entertainment Group All Rights Reserved